With its more than 20-year history, ART+COM continues to play a central role in defining the international forefront of spatial media communication. This publication is the first comprehensive collection of the studio’s work at the intersection of art, media, design, and technology. Alongside the rich images of ART+COM´s quintessential work for clients such as BMW, Esprit, and ...(展开全部)

Table of Contents List of contributors Foreword: The mirror of technology / Marilyn Strathern Acknowledgements Introduction / Roger Silverstone, Eric Hirsch 1 Pt. I Conceptual and thematic issues 1 Information and communication technologies and the moral economy of the household / Roger Silverstone, Eric Hirsch, David Morley 15 2 The circuit of technology: gender, identity and ...(展开全部)

The explosive development of the media in this century has resulted in abstract relations with machines and/or physically removed strangers. This phenomenon characterizes ever-larger areas of work and private life. The more abstract, and removed, information has become from everyday life, the less "real" the experience. Margaret Morse offers new ways of thinking about the possi...(展开全部)

This work describes art in the age of digital communication. Artists have always been early adopters of emerging media technologies, from Albrecht Durer and his use of the printing press in the 16th century to Nam June Paik's experiments with video in the 1960s. In 1994, the advent of the Internet as a popular medium catalyzed a global art movement that began to explore the cul...(展开全部)

Modern art, reflecting and defining new intellectual, scientific and technological developments, has radically extended the conventional media of sculpture and painting. Following innovative ideas about representation and the free use of materials in Cubism, Futurism and Surrealism - particularly in the work of Duchamp - artists abandoned strict adherence to traditional hierarc...(展开全部)

In Feeling Media Miryam Sas explores the potentialities and limitations of media theory and media art in Japan. Opening media studies and affect theory up to a deeper engagement with works and theorists outside Euro-America, Sas offers a framework of analysis she calls the affective scale—the space where artists and theorists work between the level of the individual and larger ...(展开全部)

In Media Ecologies, Matthew Fuller asks what happens when media systems interact. Complex objects such as media systems --understood here as processes, or elements in a composition as much as "things" -- have become informational as much as physical, but without losing any of their fundamental materiality. Fuller looks at this multiplicitous materiality -- how it can be sensed,...(展开全部)

Bringing together cultural history, visual studies, and media archaeology, Bruno considers the interrelations of projection, atmosphere, and environment. Projection has long been transforming space, from shadow plays to camera obscuras and magic lantern shows. Our fascination with projection is alive on the walls of museums and galleries and woven into our daily lives. Giulian...(展开全部)

Media and Society is an established title, popular worldwide for its insightful and accessible essays from leading international academics on the most pertinent issues in the media field today. The book is organised into three key areas of debate: media and society, media production and mediations. Each new edition of the book has sought to be a textbook that encompasses the fi...(展开全部)

As a starting point, the author argues that formalist, contextual and post-structural approaches fail to provide an adequate account of all art, particularly art produced outside the Western tradition. He believes therefore that there are profound problems right at the heart of Western thinking about art, and his new framework is an attempt to resolve these problems. At the cor...(展开全部)